![]() Source : Performing the Music of Julius Eastman, Curated by Associate Librarian Dr. ![]() La mélodie émerge du milieu du chaos et devient le point culminant de la pièce. The second is a live recording available on the New World Records CD set Unjust Malaise. Julius Eastman, a biography / Rene Levine Packer - Unjust malaise / David Borden - The Julius. Dans le cas d'Eastman, il choisit A Mighty Fortress Is Our God et l'utilise comme un appel à se lever et à surmonter l'oppression. Eastmans provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others, assault us with his obsessions. Gay guerrilla : Julius Eastman and his music -pbook. ![]() Les fantasies chorales sont si puissantes parce qu'elles sont faciles à mémoriser et peuvent être un outil puissant pour l'unification. Series: Eastman Studies in Music Series Vol. Parte 1 Julius Eastman, Frank Ferko, Janet Kattas, Patricia Martin, pianoforti. La forme de la pièce est vaguement structurée comme une fantaisie chorale, une forme basée sur un choral luthérien. Rebellious: Music of Julius Eastman by Jacaranda Live Recordings, released 28 February 2020 1. A compelling portrait of composer-performer Julius Eastmans enigmatic and. Gay Guerrilla Download Flyer Recommend to library Title Details 284 Pages 22.2 x 14.1 cm 18 b/w, 11 line illus. Julius Eastman (1940-1990): Gay Guerrilla, per 4 pianoforti (c. Gay Guerrilla est l’une des compositions les plus mémorables d’Eastman et l’un des meilleurs exemples de sa musique «organique», un processus additif résolument minimaliste, mais différent de ceux de Reich et Glass. Gay Guerilla sheds some light on Eastman’s method and his choices, as well as his place in music and civil rights history whilst preserving the private power in Eastman’s gentle aura an inaccessible place from which the. A visionary who died young and alone in 1990, Eastman is making a slow but richly deserved comeback thanks to a curious younger generation. ![]() I use Gay Guerrilla in hopes that I might be. It is important that I learn how to be, by that I mean accept everything about me.” - Julius Eastman Julius Eastman’s reputation as a confrontational genius paints an incomplete picture of the renegade composer. The second work Clayton dissects, 'Gay Guerrilla', has the name of a manifesto, and Eastman once said of its title, 'Without blood there is no cause. It is important that I learn how to be, by that I mean accept everything about me.“What I am trying to achieve is to be what I am to the fullest-Black to the fullest, a musician to the fullest, and a homosexual to the fullest. Memorable Passage “What I am trying to achieve is to be what I am to the fullest-Black to the fullest, a musician to the fullest, and a homosexual to the fullest. Gay Guerilla sheds some light on Eastman’s method and his choices, as well as his place in music and civil rights history whilst preserving the private power in Eastman’s gentle aura – an inaccessible place from which the beauty of his art itself originates, delicate and wild. Julius Eastman’s reputation as a confrontational genius paints an incomplete picture of the renegade composer. The book presents an authentic portrait of a notable American artist thatis compelling reading for the general reader as well as scholars interested in twentieth-century American music, American studies, gay rights, and civil rights. In addition to analyses of Eastman's music, the essays in Gay Guerrilla provide background on his remarkable life history and the era's social landscape. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. Eastman's provocative titles, including “Gay Guerrilla,” “Evil Nigger,” “Crazy Nigger,” and others, assault us with his obsessions.Įastman tested limits with his political aggressiveness, as reflected in legendary scandals like his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. This is '2pm performance 'Gay Guerrilla' by Julius Eastman' by Ingleby Gallery on Vimeo, the home for high quality videos and the people. Gay Guerrilla A compelling portrait of composer-performer Julius Eastmans enigmatic and intriguing life and music. Composer-performer Julius Eastman (1940-90) was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. Julius Eastmans 1979 Gay Guerilla for two pianos began elegantly and quickly filled in its spaces, building from harmonies and forever looking upward.
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